'NAC is a work in progress .... Each time we encounter a new issue we must formulate a response, as policy'.
NAC & More
Common questions about NAC, what to expect from your literary agent, and matters important to you as author: -
FAQ's
'NAC is a work in progress .... Each time we encounter a new issue we must formulate a response, as policy'.
Common questions about NAC, what to expect from your literary agent, and matters important to you as author: -
A: All works are considered on their merits, and we guide authors as to options that may exist. Mindful of the much larger potential readerships overseas, than exist in Australia and New Zealand, much energy is invested in building relations with English-language publishers in North America, the UK in particular.
A: Especially for new and emerging authors, very!
A: Even with 'major' publishers, new authors are unlikely to receive the degree of support better-known, well-established and successful authors do. The smaller independent or boutique publisher by definition has fewer resources, smaller promotions budgets. Irrespective, all publishers are attracted to highly proactive authors, especially those effectively able to use social media and otherwise being 'out there', actively leveraging family, friends and other contacts, also engaging with potential supporters through social and community clubs. Authors so active may drive 20% or more additional book purchases.
A: Absolutely vital. How many successful authors’ ‘Acknowledgements’ fail to pay tribute to their editor, usually a lifelong friend for most well-established authors …..? If it’s appropriate for them, surely that’s a strong guide for new & less well-known authors?
A: Initially we will usually focus on Australian, UK & North American publishers, first discussing & agreeing strategy with the author. If successfully published by a major, invariably they will take care of other markets’ ‘rights’.
A: The time for publisher consideration of your manuscript depends on many variables, such as the time of the year, and the market. A ‘Suggested Close Date’ is agreed in consultation with the author – three to four months is typical. Longer periods are not unusual. Three experiences suggest manuscripts take longer working their way through some publishers’ systems. One (very good) offer received from a major European publisher arrived eleven months after manuscript submission, several months after the author had signed a less attractive deal elsewhere..... In another case, we received strong expressions of interest from a top five publisher for two works originally submitted >11 months previously (one, the author had since self-published; the other hadn’t, so we were able to progress the discussion).....
A: We consult very closely, explaining the program before submitting the work to publishers, then give regular updates. Our authors always know which publishers have been approached, what the status of their work is with each.
A: Yes – please go to http://newauthorscollective.com/site/contact_us
A: This very much depends on the work, and whether it has been rigorously edited prior to submission to NAC. Seldom less than 3 months, or more than 7-8.
A: In particular we try to get close to the acquisitions editors at publishers in Australia, UK, USA & Canada with appetites for manuscripts in the range of genres we are most widely represented in. We work hard so works are not just submitted into a publisher’s slush pile.
A. There are two routes by which authors can have their work considered (see ‘Our Authors’). Unsolicited manuscripts are not read.
A. It must have been professionally edited, and formally proof-read, before it comes to us – viz. in ‘finished’ form, in your opinion ‘ready for publishers’.
A. No, for fiction; non-fiction works need to be submitted under our ‘book proposal’ guidelines.
A. We only work with soft copy, Word format – no mailed or faxed, & generally no PDF documents (other than images/artwork/illustrations). If we invite a manuscript it is important you read & act on ‘NAC formatting suggestions’ before despatch.
A. Generally, no, but if you wish NAC to represent a more recent work, and the earlier work has not been published & is not contracted to another agent, we are open to discussion.
A. No. NAC operates a virtual business currently spanning five countries; personal visits are not accepted other than by invitation.
A. No.
A. Yes. As a general rule NAC only represents authors all of whose future work will be included in our remit. The main notable exceptions are co-authored works, academic papers and work in genres NAC states as being outside our remit.
A. Academic or technical works, or adult poetry, alternative lifestyle, art or architecture, cooking or food or wine, economics, gardening, horror, music, new age, occult, religious/devotional/inspirational works, short stories, sci-fi, science, supernatural or fantasy, strong violence or abusive sex and self-help books. NAC seldom considers previously self-published work.
A. It depends on the stage of the process you are at. We will not do so prior to an author accepting a NAC ‘Author Invitation’. If such an invitation is extended and accepted adult works go forward initially for a 50-page read.
A. Yes, once an author has joined our journey.
A. No.
A. No.
A. Yes, like other agents, we earn an agreed percentage of the author’s royalties for the life of the contract signed by the author. All such remuneration is set out clearly in the Agency Agreement.
A. Authors may terminate the Agency Agreement at any time, subject to the terms stated. Be mindful NAC earns commission for the duration of any contract, and typically for so long as rights to the published work remain with publishers.
A. In respect of work we represent, usually.
A. We try to maintain uniform terms across the board, for simplicity in dealings with all authors. We will exclude by mutual agreement previously published works but, apart from agreed exclusions, all future works will fall within NAC’s remit.
A. No. Nor is our service the same as theirs.
A. Yes, there are many.
A. Several reasons: - NAC founder’s 40+ years international business experience across a range of disciplines means our focus is very different from other agents. Also: - our international reach; the thoroughness of NAC’s manuscript review process; our absolute commitment to manuscript quality – underpinned by the partnership between NAC Editorial and the author; NAC’s knowledge of which publishers are focused on which genres; our targeted manuscript placement with acquisitions editors for the genre of the work (aiming to avoid the ‘slush pile’); our direct relations with 300+ decision-makers at >150 English-language publishers in 8 countries; more than 350 volunteers on NAC’s journey with our authors; the ‘collective’ or ‘collegiate’ approach to our business, harnessing the skills & enthusiasm of our authors, editors, reviewers and a range of service providers in support of each author.
A. Yes, authors on our list can.
A. It varies greatly – at least 3 months for most, to 6 months and more in some cases.
A. Generally, no, as most will want their own illustrators to work on the manuscript, but many will accept illustrated manuscripts.
A. No. Several of the largest international publishers developed ‘hybrid’ contract models to contend with the e-book revolution. Younger, smaller houses, especially independent publishers specialising in ‘new authors’, tend to favour hybrid contracts, some exclusively doing so. This is a highly complex area, where much research is needed. NAC may assist with links to interesting references. However, in addition to known vanity publishers, we will not represent authors to two ‘publishers’ Head Officed in the UK. One of them has offices in the US, Middle East and also suggests they will open in Australia.
A. Not necessarily. We suggest all offers are considered on their merits. The competitive tension created by having more than one offer may be helpful.
A. We suggest ‘Never’ – the risk of being embroiled in a severe defamation action is just too high.
A. Publishers usually prefer (most will insist) on using their own graphic designers.
A.For most of the genres we are well-represented in, authors may expect their work to go to >20 publishers in 3-5, or more countries. The more common genres (such as adult non-literary fiction, women’s commercial fiction) - typically >25 publishers are approached; children’s works – 10+/- specialist publishers are approached.
A. We try to ensure only publishers focused on the genre of an author’s work, in particular, are approached.
Statistics quoted above were last updated June 2018